ALEXA XT and ALEXA 65 on "The Revenant"
The Revenant - Minolta XG-1 Restoration
Did "The Revenant" Make Lights Obsolete? - Videomaker
The Revenant (2015) Technical Specifications » ShotOnWhat?
Arri Alexa 65: Why Hollywood's Lensers Love the Camera - Variety
About — Charlie Perera
Shooting Wide: The World in a Single Frame | SIGMA Blog
The Revenant: Shooting In the Elements - Society of Camera Operators
Emmanuel Lubezki: 'Digital gave me something I could never have done on film': Digital Photography Review
ALEXA XT and ALEXA 65 on "The Revenant"
The Revenant' Cinematographer Emmanuel "Chivo” Lubezki - Variety Artisans - YouTube
Light Fantastic - The Making of The Revenant
The Revenant (2015) Technical Specifications » ShotOnWhat?
In “The Revenant,” what is the significance of the final shot? | Watch | The Take
Oscar-winning 'Revenant' Cinematographer Talks Bear Mauling, Digital - Variety
Shooting Wide: The World in a Single Frame | SIGMA Blog
ALEXA XT and ALEXA 65 on "The Revenant"
Light Fantastic - The Making of The Revenant
Emmanuel Lubezki Is Using the ALEXA 65 on His Next Project, Iñárritu's 'The Revenant'
The Revenant: Shooting In the Elements - Society of Camera Operators
The Revenant: Shooting In the Elements - Society of Camera Operators
The Revenant's Cinematographer Wishes Leonardo DiCaprio Weren't So Famous | GQ
My review of The Revenant, shot on the Alexa 65mm in only natural light - Cameras - EOSHD Forum
Emmanuel Lubezki AMC ASC / The Revenant - British Cinematographer
